Spring Sketching, Lilacs and Trees

To see my paintings visit my website www.janblencowe.com

Every year I make sure that I do something with the lilacs when they bloom. Sometimes it's a full painting, sometimes just a watercolor or sketch. This year it was a sketch. These come from a large shrub in my mom's yard. I brought her a huge bouquet of them as she was in the hospital recovering from a hip replacement. The scent of lilacs is just intoxicating! Watercolor, pen, acrylic marker.

This quick watercolor was done just at the edge of our property looking up the road. It was very overcast and while I was working it started to mist creating beautiful star patterns in the paint similar to what you get when you drop salt on wet watercolor.

Beaver Pond, Compositions and a Trip to the Museum

To see my paintings visit my website www.janblencowe.com

 I've been documenting the activity in our beaver pond, and around the rest of our property. Here you can see the beaver's lodge and the trees they have felled. There are ducks, and swifts. Occasionally I hear a Great Horned Owl, and we have some lovely birch trees too. Pencil and watercolor.

One of the things a sketchbook  is good for is testing out compositions before you commit to a large painting. This is a local scene on our downtown and I admire the weeping cherry tree every spring. Four small, fast paintings let me explore several compositional possibilities. Then I was able to make notes analyzing what I liked and didn't like about each. In the end I went with a version similar to the one in the upper right. Golden Fluid Acrylic.

One of the really nice things about keeping a sketchbook journal is capturing the places you go and the things you see. This page has some figure studies of customers having lunch at Denny's along with my fruit salad! Then a trip to the museum followed where I jotted down the information on Tonalism that accompanied the painting by Emil Carlsen that I did a sketch of. Below that is a sketch of Willard Metcalf's sketchbook that he kept when he was in New Mexico and to the left two Canada Geese who were on the museum grounds enjoying the rain.

Working in a Stillman & Birn Beta Sketchbook

This is the cover page for my Stillman and Birn Beta Sketchbook.....

...and the first page. You can see by the dates that I am way behind in posting. In fact, this books is filled and I've moved on to a new one! I'm really going to try hard to get caught up and to post regularly, as I finish pages. For now if you want to keep up to date I post frequently in Cathy Johnson's Artist Journal Workshop Group on Facebook.

The SUN page above is done with pencil, watercolor, gouache and marker.

The Bird feeder page is one of my fav's. The very quick sketches (birds don't stay still very long!) were done with a blue/black Uniball Signo pen, and since the ink is not waterproof when touched with a waterbrush loaded with yellow ochre watercolor beautiful green, browns were created, perfect for depicting the green enamel of the feeder and the color of the seed inside.

Beautiful spring colors on Messerchmidt's Pond near my home, the top three are gouache and the bottom is a watercolor.  These small landscape studies are invaluable for preparing me for the plein air painting season.

One of the things I really love about the Stillman & Birn beta sketchbook is it's fabulous heavy weight, (180lb, unheard of in a sketchbook!) multimedia paper. This paper takes everything you can throw at it with no buckling or rippling, no bleed through, and the surface stays perfect even with repeated applications, even a fair amount of scrubbing. All of that is important to me because I know that I have the freedom to experiment and to keep working a sketch until I get it working to my satisfaction, even if I have to add several types of media to do it. I really feel fearless when using this sketchbook! And that is very, very good for unleashing creativity!